Gustav Mahler once remarked, “A symphony must be like the world. It must contain everything.” And in his “Resurrection” Symphony, the Austrian composer creates not only a world, but an expansive universe of his own—pushing the boundaries of symphonic music with an apocalyptic work for massive orchestra, offstage brass bands, full choir, pipe organ, and two […]
Gustav Mahler once remarked, “A symphony must be like the world. It must contain everything.” And in his “Resurrection” Symphony, the Austrian composer creates not only a world, but an expansive universe of his own—pushing the boundaries of symphonic music with an apocalyptic work for massive orchestra, offstage brass bands, full choir, pipe organ, and two […]
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